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The set’s cover refers to the works as ‘Three Tales by Elie Wiesel.’ In a later edition of the same volume, Wiesel refers to all three books as ‘narratives,’ although he calls Though sales have now soared, I’m not sure how many people will read Night now, beyond buying the new edition as a gesture of solidarity with Oprah and survivors of the Holocaust.
It doesn’t take a background in literary criticism to see that Night is artfully fashioned as a kind of symbolic narrative about the relationship between sons and fathers (there are four such portraits in the short book) and, crucially, between the Christian God (the Father) and his Son.
She said that what mattered was not whether Frey’s book was true (the Fundamentalist claim for the Holy Bible) but its value as a therapeutic tool (the modern Anglican position on the Good Book).
But by now every columnist and books page editor in America was wrestling the truth-or-fiction issue to the ground. On her show on January 26, he clung to the ropes, offering the excuse that the “demons” that had driven him to drink and drugs had also driven him into claiming that everything he wrote about himself was true. This and other adventures in Lawrence’s account of British scheming in Mesopotamia against the Ottomans met with the ecstatic admiration of the Oxford-based equivalent of Oprah’s Book Club back in the early 1920s, after Lawrence had the 350,000-word “memoir” privately printed and circulated.
Here are Wiesel’s appalling words:“As Sukkot begins, we are thrilled to bless the tens of new families joining us at this time in the Jewish settlement in the City of David.
for January 17, Michiko Kakutani wrote in her usual plodding prose, with her usual aversion to any unconventional thought, that “Mr.
isn’t historically true, and at least two other important episodes are almost certainly fiction.
Below, I cite views, vigorously expressed to me in recent weeks by a concentration camp survivor, Eli Pfefferkorn, who worked with Wiesel for many years; also by Raul Hilberg.
It’s as foolproof a character reference as is available today, at least within the Judeo-Christian sphere of moral influence.
One can easily see why Oprah Winfrey and her advisers saw an Auschwitz excursion in the company of Wiesel as a sure-fire antidote to salve the wounds sustained by Oprah’s Book Club when it turned out that James Frey had faked significant slabs of his own supposedly autobiographical saga of moral regeneration, Published in 2003, Frey’s irksome book swiftly became a cult classic.